TRANCE-FORMATIONS : Uncharted Territories
tHE USEFUL thingS wiThin the audaCity of human aberrAtions falter between the anOMaly of unprojected hope and the LeGion of possiBilites which have neVer been fulfilled given the mundane limited earth-bound cosmo-budgetization of iT-s MaterialiZationpOtentialities.This discourse presEnts a daunting overture,a syMphonic landscapethat poses a challenge to tHe
untraineD mind of projectionpotentialities.
thE Nature on/in which we
inhabit, is a vast pronouncement
of the exact instru-mental keYs,
that, if played witHiN an
Exactitude of
RoTaTionalPlanetarygesturinG,its
buoyancy will Be ELeVated to an
Etheric level-dimension never
before encountered In the
interplanetary-Scapes.
THis bouyancy Is the cUSp
of of a signal unheard,undetected
and intangible but is very much an
unfathomable energy forcE, this
carrier oF sOundlessness- a new
impossibility
of Reality.
We HAVE to Find these KEYS. The
economy of non-political wiLL can
enable a Fostering of a new MIND ak-tivation which must posit the
perFORMER as Beacon.
copyright A k u z u r u 2014
Earthology India - DELHI 2008 A k u z u r u
The Art Book- Earthology India-A Spatial Work in 3 Acts by A k u z u r u 2008
Maguayapas
A Synopsis
The Maguayapas are intuitive performance-sculptures.
They are sensorial engagements that are often part of an ongoing epic and /or series of works. These are informed by the following interdisciplinary expressions in which hyper-realism may become intrinsic to their perception:
- photographic-performance conversations, tableaux-vivant, employing a poetic narrative or non-narrative
- performance as procession and sequences for video expression and other multi-media
- book works with drawing-dialogues and esoteric discourse
- environmental works- a continued investigation of re-form in the natural environment
- composed situations and installations which are mainly ephemeral.
This coinage is the culmination of
several years of prduction of an organically strategic mechanism- a mechanism
which utilizes the corporeal for the sculpturing possibilities of movement,
whether performative in actual physicality or implied movement through stasis.
Even though imbued with an intellectualism and a multi-layered narrative, the
emphasis here, lay in the perpetual investigations and explorations of form.
This is its orientation.
The artist, through continued
temporal processes- a superstructural apotheosis- has come upon the
designation: Maguayapa. This
monument of a particular, is hinged on a connected field of situations, which
emanated from the artist’s original birth nation Trinidad
and the world space as an integral part of the context. These situations are:
in Trinidad of an Aboriginal nation) and Gayap (gathering). These connecting links ‘clothe’ and ‘activate’ the performer. The performer is transformed and becomes an extension of herself. The Maguayapa sans performer, in a composed situation as a ‘Spatial Work’ also becomes a sculptural performance entity.
Therefore, the Maguayapa accentuates a series of works
within the framework of the artist’s Experiential Art establishment. Within the
framework of her Spatial Works epics-which encompass her composed settings, the
Maguayapas essentially transform the
wearer into another life-form. This explores the possibilities within the
historical discourse of trajectoral impositions and the consequential designed
existentialisms.
Cogni-Dysaesthesia 2007
Transcendentally, autobiography is the community of
individuality.
Transcendentally, autobiography is the community of
individuality.
All writings, art works & images (c) A k u z u r u 2014
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Nation Dance 2012
+(2004).JPG)
Requiem/Rebirth 2004